In his painting, he prefers the presence of hand prints or of sandals to signs of sacred calligraphy.
He also paints his city, Dakar, with its “car rapides” (common transport cars). Recently, focusing on the human figure at the expense of abstract, he offers large nudes, critical of the Dakaroise society, such as the figure in “irresponsible one” hiding behind a sign (or closing his eyes in the face of misery, AIDS etc.) as well as the figures in “it is written”, “Yala Yana”.
Recently, focusing on the human figure at the expense of the abstract, he offers large nudes, critical of the Dakaroise society, such as the “irresponsible one” hiding behind a sign (or closing his eyes in the face of misery, AIDS etc.) since “it is written”, “Yala Yana”.